(Constellation)
Honest, compelling and original, but do take my word for it and go and see them live. Read review
(Relapse)
Once more Cephalic Carnage offer us their trademark hybrid of nervous grind/death and quirky tendencies, all the while contained in compact songs. Read review
(Kiss Of Death)
Lyrically as well as musically, it’s all about having fun, skateboarding and cop-bashing. This is dead honest punkrock and should be credited as such. Read review
(Vendlus)
Moody indie pop with roots in bossa nova and sad bastardism. Many highs, but some very low lows. Great for anyone drowning in drink. Read review
(Release The Bats)
First solo work of Gabriel Lucas Crane (Wooden Wand & The Vanishing Voice), consisting of manipulated tape loops and industrial noise. Read review
(Side One Dummy)
A blend of power pop, punk, and hard rock that highly enjoyable, smart, but above all fun. A product of the 90s alternative scene, it remains true to its roots. Read review
(Hydra Head)
Despite the fact that it seems quite a smug theoretical experience, there are moments that can be called enjoyable. But to label this a good record would be a bit of a stretch. Read review
(Release The Bats)
The San Fransico funeral procession presents its work for the first time on full length here. Read review
(Hydra Head)
You won't find any new ground-breaking music on this album, but if you're in for a fine set of loud sing-along hard rocking songs, then this is the shizzle for your nizzle. Read review
(DIY)
Noise experimentation that smacks more of the musical: Big Bang than a music recording. If you ever found yourself dancing to sirens, this may be your slice of pie. Read review
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